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Author Notes:

To whom correspondence should be addressed. E-mail: elizabeth.buffalo@emory.edu.

Edited by Charles G. Gross, Princeton University, Princeton, NJ, and approved November 4, 2009 (received for review July 12, 2009)

Author contributions: E.A.B. and R.D. designed research; E.A.B., P.F., and R.L. performed research; E.A.B., R.L., and H.L. analyzed data; and E.A.B. and R.D. wrote the paper.

Subjects:

Research Funding:

Supported by National Institutes of Health Grants EY017292 and EY017921 (to R.D.) and MH072034 (to H.L.).

Keywords:

  • attention
  • Macaque
  • vision
  • feedback

A backward progression of attentional effects in the ventral stream

Tools:

Journal Title:

Proceedings of the National Academy of Sciences

Volume:

Volume 107, Number 1

Publisher:

, Pages 361-365

Type of Work:

Article | Post-print: After Peer Review

Abstract:

The visual processing of behaviorally relevant stimuli is enhanced through top-down attentional feedback. One possibility is that feedback targets early visual areas first and the attentional enhancement builds up at progressively later stages of the visual hierarchy. An alternative possibility is that the feedback targets the higher-order areas first and the attentional effects are communicated “backward” to early visual areas. Here, we compared the magnitude and latency of attentional enhancement of firing rates in V1, V2, and V4 in the same animals performing the same task. We found a reverse order of attentional effects, such that attentional enhancement was larger and earlier in V4 and smaller and later in V1, with intermediate results in V2. These results suggest that attentional mechanisms operate via feedback from higher-order areas to lower-order ones.

Copyright information:

Beginning with articles submitted in Volume 106 (2009) the author(s) retains copyright to individual articles, and the National Academy of Sciences of the United States of America retains an exclusive license to publish these articles and holds copyright to the collective work.

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