These days, there is considerable interest in and activity around publishing digital scholarly editions online. However, far too many digital editions are created individually as unique “one-offs” or use technologies that will not be durable over the long-term. There is also a growing interest and momentum around annotation, thanks in part to the efforts and successes of hypothes.is. Readux addresses these interests and concerns in its new annotated edition export functionality. Readux provides digitized book repository content, pairing digitized facsimile images with searchable and selectable TEI-encoded text. Both text and page images are available for annotation with text, multimedia content, and tags. A volume in Readux can be exported with a user’s annotations to generate a customizable, open access annotated edition in the form of a Jekyll website. The use of Jekyll, which is a static site generator, provides a durable, future-proof website as well as built-in hosting through GitHub pages. This functionality makes previously digitized content available for engaged, public scholarship and teaching in a new way, and the combination of image and text is particularly valuable for visual content such as hymnbooks, yearbooks, and scrapbooks.

This white paper shares insights on the development of digital thematic teaching and research collections. The report draws on the yearlong planning process for the Sounding Spirit Digital Library, an open access digital resource collecting southern sacred vernacular music books published between 1850 and 1925. Funded by a Foundations grant from the Humanities Collections and Reference Resources program of the National Endowment for the Humanities (NEH), this planning process was led by a team based at Emory University’s Center for Digital Scholarship (ECDS) and staff at four archives with strong holdings of southern vernacular sacred music, with the support of an engaged advisory board. This white paper first outlines the major activities of the planning process, which included 1) music bibliographic research informing digitization plans, resulting in the publication of a “Checklist of Southern Sacred Music Imprints, 1850–1925”; 2) the formalization of the partnership between ECDS and participating archives; 3) workshopping of interinstitutional digitization and optical character recognition processes, and the application of these processes through the digitization of twenty-two songbooks; 4) the launch of a pilot digital library site that organizes these music books into collections and enhances them with descriptive entries; and 5) the development of a plan for implementation, resulting in the submission of an application for support from the NEH Humanities Collections and Reference Resources program. For each of these components of the planning process, the white paper offers context that informed our approach, an outline of our processes, and a discussion of major outcomes. The white paper concludes with recommendations building on our experience. These recommendations are organized around three themes: 1) thematic collection development, 2) collaboration in developing digital resources, and 3) approaches to digitization and optical character recognition.